The brave Geraint, a knight of Arthur’s court,
A tributary prince of Devon, one
Of that great Order of the Table Round,
Had married Enid, Yniol’s only child,
And loved her, as he loved the light of Heaven.
And as the light of Heaven varies, now
At sunrise, now at sunset, now by night
With moon and trembling stars, so
Thank Heaven! the crisis,
The danger, is past,
And the lingering illness
Is over at last—
And the fever called “Living”
Is conquered at last.
Sadly, I know
I am shorn of my strength,
And no muscle I move
As I lie at full length—
But no matter!—I feel
I am better at length.
Up in the morning,
Out on the job,
Work like the devil for my pay,
While that lucky old Sun
Has nothing to do
But roll around heaven all day!
Work for woman,
Toil for my kids,
Sweat till I’m wrinkled and grey,
While that lucky old Sun
Has nothing to do
But roll around heaven all day!
At midnight, in the month of June,
I stand beneath the mystic moon.
An opiate vapor, dewy, dim,
Exhales from out her golden rim,
And softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its
Crabbed Age and Youth
Cannot live together:
Youth is full of pleasance,
Age is full of care;
Youth like summer morn,
Age like winter weather;
Youth like summer brave,
Age like winter bare:
Youth is full of sports,
Age’s breath is short,
Youth is nimble, Age is lame:
Youth is hot and bold,
Age is weak and cold,
Youth is
I am always going from door to door,
whether in rain or heat,
and sometimes I will lay my right ear in
the palm of my right hand.
And as I speak my voice seems strange as if
it were alien to me,
for I’m not certain whose voice is crying:
mine or someone else’s.
I cry for a pittance to
My six children’s
thirty-six grandchildren’s
one thousand two hundred and ninety-six great-grandchildren
thank you
whose skin is more extensive
than all the sheets of paper in the world,
whose body is broader
than all the tombs in this world put together,
and whose smooth flesh has these moles,
marked like ancient script on birds’ eggs.
Thank you for the warm
? or John Fletcher.
ORPHEUS with his lute made trees
And the mountain tops that freeze
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads and then lay by.
The clanging fire-bells shook the air,
The maddened crowd roared like the sea
And hurled its human waves ‘gainst me —
Then through the smoke a face gleamed fair
A moment brief — and then the crash
As chariot wheels together dash;
Mad horses rear and plunge and scream —
It all comes back, an old, old dream,
The brutal
I came to know I am so bad,
This is the reason why I am sad.
I hurt them and I always fight,
That’s why my days are not so bright.
I can’t feel what others feel
And want them under my heels.
I am selfish, I am harsh
Break intentions and their hearts.
I misunderstand, I misbehave,
I speak
If every woman is a concubine of pain
My mother is that everyone –
A shepherdess flocks of pain.
Barely each day gone by without her back
Become animal skin that pastes on a mahogany tree
And beat every day with maestro-stroke of shame.
When you ask who can dance most in public places
Set a cause of rev for her
And the angel Israfel, whose heart-strings are a lute, and who has the sweetest voice of all God’s creatures. —KORAN
In Heaven a spirit doth dwell
“Whose heart-strings are a lute”;
None sing so wildly well
As the angel Israfel,
And the giddy stars (so legends tell),
Ceasing their hymns, attend the spell
Of his voice, all mute.
In vain your bangles cast
Charmed circles at my feet
I am Abiku, calling for the first
And repeated time.
Must I weep for goats and cowries
For palm oil and sprinkled ask?
Yams do not sprout amulets
To earth Abiku’s limbs.
In rainy evenings,
It has happened,
A number of times;
Looking outside
The window for you,
I myself have become,
A window-pane:
Raindrops outside,
A fog inside,
A hapless mind
Strolling futile,
If I met Charley I probably would have smashed him in his over sized snozz
Like a scene ripped from the reels of Barfly yes indeed we would have bar fought
I would have clobbered that big smug ugly b*st*rd with my big chubby ham club
Solely in an effort to sober him up for a moment
Only because he
LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the
When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail,
For the female of the species is more deadly than the male.
When Nag, the wayside cobra, hears the careless foot of man,
He will sometimes wriggle sideways and
Ah, broken is the golden bowl! — the spirit flown forever!
Let the bell toll! — a saintly soul floats on the Stygian river: —
And, Guy De Vere, hast thou no tear? — weep now or never more!
See! on yon drear and rigid bier low lies thy love, Lenore!
Come, let the burial rite be read — the
In the beginning
God made the earth,
After that he took two stones and made them into
Sun and Moon.
He further created Rain,
Whose desire was to fall down and cover the earth
with water,
And Darkness, over whom Moon scattered a
basketful of seeds,
Which were the Stars.
There were no people on the earth at first,
So God
1.
Can death be sleep, when life is but a dream,
And scenes of bliss pass as a phantom by?
The transient pleasures as a vision seem,
And yet we think the greatest pain’s to die.
2.
How strange it is that man on earth should roam,
And lead a life of woe, but not forsake
