Verse 1
Tell me where is fancy bred, {he}
Or in the heart, or in the head?
How begot, how nourishèd? [nour-ish-ed]
Reply, reply.
It is engender’d in the eyes, {she}
With gazing fed;
and fancy dies, and fancy dies {together}
In the cradle where it lies.
Thy soul shall find itself alone
‘Mid dark thoughts of the grey tomb-stone;
Not one, of all the crowd, to pry
Into thine hour of secrecy.
Be silent in that solitude,
Which is not loneliness- for then
The spirits of the dead, who stood
In life before thee, are again
In death around thee, and their will
Shall overshadow thee; be
Mammy’s baby, go ter sleep,
Hush-er-by, hush-er-by, my honey;
Cross de hyarf de cricket creep,
Hush-er-by, hush-er-by, my honey.
Hoot owl callin’ f’um de ol’ sycamo’
‘Way down yon’er in de holler;
While de whip-po’-will an’ de li’l’ screech owl
Dey des try dey bes’ ter foller.
Hush-er-by, hush-er-by, hush-er-by, my deah,
Hush-er-by, hush-er-by, my honey;
Shet yo’ eyes an’ drap
The price seemed reasonable, location
Indifferent. The landlady swore she lived
Off premises. Nothing remained
But self-confession. “Madam” , I warned,
“I hate a wasted journey – I am African.”
Silence. Silenced transmission of pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold-rolled
Cigarette-holder pipped. Caught I was, foully.
“HOW DARK?”…I had not misheard….”ARE YOU LIGHT OR VERY DARK?”
I went into a public-‘ouse to get a pint o’ beer,
The publican ‘e up an’ sez, “We serve no red-coats here.”
The girls be’ind the bar they laughed an’ giggled fit to die,
I outs into the street again an’ to myself sez I:
O it’s Tommy this, an’ Tommy that, an’ “Tommy, go away”;
But it’s “Thank you,
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“’Tis some visitor,” I muttered, “tapping at my chamber door—
Only this and nothing more.”
Ah, distinctly I remember
In after-time, a sage of mickle lore
Yclep’d Typographus, the Giant took,
And did refit his limbs as heretofore,
And made him read in many a learned book,
And into many a lively legend look;
Thereby in goodly themes so training him,
That all his brutishness he quite forsook,
When, meeting Artegall and Talus grim,
WHO is Silvia? What is she?
That all our swains commend her?
Holy, fair, and wise is she;
The heaven such grace did lend her,
That she might admired be.
Is she kind as she is fair?
For beauty lives with kindness:
Love doth to her eyes repair,
To help him of his blindness;
And, being help’d, inhabits there.
CHOKED with ill weeds my garden lay a-dying,
Hard was the ground, no bud had heart to blow,
Yet shone your smile there, with your soft breath sighing:
‘Have patience, for some day the flowers will grow.’
Some weeds you killed, you made a plot and tilled it;
‘My plot,’ you said, ‘rich harvest yet shall give,’
With sun-warmed seeds of
O children, run, the Cunjah Man,
Him mouth as big as frying-pan,
Him ears am small, him eyes am red,
Him have no tooth in him old head,
Him have him roots, him work him trick,
Him roll him eye, him make you sick–
The Cunjah Man, the Cunjah Man,
O children, run, the Cunjah Man!
Him have a ball of
Singing songs of expectation
The earth pilgrim band goes
Marching to the Promised Land
Rides upon the storming Wind
Till the faithful beneath its shade.
The earth beauty fades
The sun is sinking fast
The daylight dies
The end of toil and gloom has come.
I.
HEAR the sledges with the bells —
Silver bells !
What a world of merriment their melody foretells !
How they tinkle, tinkle, tinkle,
In the icy air of night !
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight ;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation
O Great Spirit,
You who in Your form of the Chapungu,
the great eagle with sharper eye than any aeroplane,
watches over us and knows all things;
who even descends from your great circles of flight
over our beautiful land of stone and earth and tree
to show a child lost in the bush
the way back to the village
He is stark mad, who ever says,
That he hath been in love an hour,
Yet not that love so soon decays,
But that it can ten in less space devour;
Who will believe me, if I swear
That I have had the plague a year ?
Who would not laugh at me, if I should say,
I saw a
Something in altitude kindles power-thirst
Mere horse-height suffices the emir
Bestowing from rich folds of prodigious turban
Upon crawling peasants in the dust
Rare imperceptible nods enwrapped
In princely boredom.
I too have known
A parching of that primordial palate,
A quickening to manifest life
Of a long recessive appetite.
Though strapped and manacled
That day I commanded from the pinnacle<br
he played,
And gleaming fingers touched the keys,
As if upon their souls she played,
While the mad desire grew fierce to seize
Them in the Bastile, swiftly made
Of my strong hands.
She played,
And o’er white shoulder flung a look
That almost drove me mad with pain;
My love ran toward her as the brook
When bank-brimmed o’er with
The stink of fish on earthen streets
A hot wind blows from ochre hills
Black faces shine with brilliant teeth
Street market ***** doth cure all ills.
Redness in her plaited hair
Rhythm in her steady tread
A harmony of balance, she carries
Water jars on her head.
A market girl is singing
As she sits among bananas
The drama
Oh, a dainty plant is the Ivy green,
That creepeth o’er ruins old!
Of right choice food are his meals, I ween,
In his cell so lone and cold.
The wall must be crumbled, the stone decayed,
To pleasure his dainty whim:
And the mouldering dust that years have made
Is a merry meal for him.
Creeping where no life
Wrote a mother to her child:
Why do you say, I don’t understand,
I’ve brought you all way braving,
The scorching sun and blistering sand.
I have heard your heartbeats,
When none could see you in me,
I have felt your heartbeats,
Whenever you have felt lonely.
My six children’s
thirty-six grandchildren’s
one thousand two hundred and ninety-six great-grandchildren
thank you
whose skin is more extensive
than all the sheets of paper in the world,
whose body is broader
than all the tombs in this world put together,
and whose smooth flesh has these moles,
marked like ancient script on birds’ eggs.
Thank you for the warm
