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Gabon – last place on Earth

It has been called the last place on Earth
this equatorial wonderland,
land of roaring rivers and majestic mountains
beautiful, but so fragile – as a spider’s web.

Here elusive species gather together
on beaches, in forest depths and glades
as if they have something to say to each other –
and to us – about the risk of ecological ruin.

In

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Spiders: The Ministry of Webs

I witnessed the hardiest crows in the system shattered by
immorality, trembling neurotic wreak,
slogging themselves through welfare cheques at twilight
searching for a sturdy foundation,
fork-tongued politicians yearning for the popular vote
persuasion to sugary elixir in the cogs of time,
whose destitution and disorder and listless gaze and wired up
intaking in the psychological coldness of
sterile sanitoriums

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Song. I Had A Dove

I had a dove, and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? its feet were tied
With a single thread of my own hand’s weaving;
Sweet little red feet, why should you die–
Why should you leave me, sweet bird, why?
You lived alone in the forest tree,
Why,

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The Canonization

For God’s sake hold your tongue, and let me love,
Or chide my palsy, or my gout,
My five grey hairs, or ruin’d fortune flout,
With wealth your state, your mind with arts improve,
Take you a course, get you a place,
Observe his Honour, or his Grace,
Or the King’s real, or his stamped face
Contemplate, what you will,

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Love

Verse 1
Tell me where is fancy bred, {he}
Or in the heart, or in the head?
How begot, how nourishèd? [nour-ish-ed]
Reply, reply.
It is engender’d in the eyes, {she}
With gazing fed;
and fancy dies, and fancy dies {together}
In the cradle where it lies.

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The Midnight Ride of Paul Revere

LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the

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Lucy’s Song

How beautiful at eventide
To see the twilight shadows pale,
Steal o’er the landscape, far and wide,
O’er stream and meadow, mound and dale!

How soft is Nature’s calm repose
When ev’ning skies their cool dews weep:
The gentlest wind more gently blows,
As if to soothe her in her sleep!

The gay morn breaks,
Mists roll away,
All Nature awakes
To

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The Three Birds

The iron bird, the bird of steel
who after having lacerated the clouds of morning
would want to puncture the stars
beyond the day,
retreats, as if in remorse,
into an artificial cave.
The corporeal bird, the feathered bird,
who forces a tunnel through the wind
to get to the moon he’s seen in a dream

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The Last Tournament

Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur’s Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts

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The Idea of Revelation

It wasn’t holy so let us not praise gods.
Let us not look to them for bread,
nor the cup that changed water to wine.

Let us look to the bend of the road
that reaches. A silver blur across
the skyline, woman standing on the farm.

In her grasp, the shine that is seed,
that is beginning. She will work
the

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The Thorkild’s Song

There’s no wind along these seas,
Out oars for Stavenger!
Forward all for Stavenger!
So we must wake the white-ash breeze,
Let fall for Stavenger!
A long pull for Stavenger!

Oh, hear the benches creak and strain!
(A long pull for Stavenger!)
She thinks she smells the Northland rain!
(A long pull for Stavenger!)

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Yaa, the Adowa dancer

The tune of Adowa
Drives Yaa to frenzy,
Her legs alternate–
they close,
they cross,
they open,
they part.
Oh, what a dancer,
The dancer of Adowa.
Her trunk goes–
to the left,
to the right,
to the front,
to the back.

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Kambili the Hunter

Kambili the hunter spoke out,
“My Father, Kanji, he said: “Yes?” the reply.
“Tell the people of the smiths,
To make some young boy’s arrows,
And, to strike a young boy’s bow.
The rifle will never be for me.
I’m going off on a lizard hunt.”
He and his comrades went off,
Saying they were off on a lizard hunt.<br

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A Memory Tone

he played,
And gleaming fingers touched the keys,
As if upon their souls she played,
While the mad desire grew fierce to seize
Them in the Bastile, swiftly made
Of my strong hands.

She played,
And o’er white shoulder flung a look
That almost drove me mad with pain;
My love ran toward her as the brook
When bank-brimmed o’er with

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Night

Your hand is heavy, Night, upon my brow.
I bear no heart mercuric like the clouds,
to dare.
Exacerbation from your subtle plough.
Woman as a clam, on the sea’s cresent.
I saw your jealous eye quench the sea’s
Flouorescence, dance on the pulse incessant
Of the waves. And I stood, drained
Submitting like the sands, blood and brine
Coursing

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The Passionate Desire To Succeed

It’s a decision, it’s a choice
It’s a silent whispering voice
As clear and smooth as a sail
Telling you that you must not fail

It’s in your heart and your mind
Right in front of you and not behind
A zeal from which you can’t get bail
Telling you that you must not fail

It’s your strong prayer for success
Which

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To Helen

Helen, thy beauty is to me
Like those Nicéan barks of yore,
That gently, o’er a perfumed sea,
The weary, way-worn wanderer bore
To his own native shore.

On desperate seas long wont to roam,
Thy hyacinth hair, thy classic face,
Thy Naiad airs have brought me home
To the glory that was Greece,
And the grandeur that was Rome.

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Isabella or The Pot of Basil

A Story from Boccaccio

I.

FAIR Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love’s eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each

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Shall I compare thee to a summer’s day? (Sonnet 18)

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature’s changing

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Nature…

Nature is a world of fascinated things,
which is never boring.
Gives freshness to the humans and birds,
Hence, adds life to the whole world.
It gives beauty to the land,
In whatever direction you stand.
Let no moment be spent without nature
Which is a dream place for creatures.

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