I.
HEAR the sledges with the bells —
Silver bells !
What a world of merriment their melody foretells !
How they tinkle, tinkle, tinkle,
In the icy air of night !
While the stars that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight ;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation
When I ran, it rained. Late in the afternoon—
midsummer, upstate New York, mornings I wrote,
read Polish history, and there was a woman
whom I thought about; outside the moody, humid
American sublime—late in the afternoon,
toward sundown, just as the sky was darkening,
the light came up and redwings settled in the cattails.
They were death’s idea of
He who meet beauty and does not look at it will
soon be poor:
Red feathers are the pride of the parrot,
Young leaves are the pride of the palm-tree,
White flower are pride of the leaves,
A well-swept verandah is the pride of the
householder,
A straight tree is the pride of the forest,
The fast deer is the
She feels the shape of another animal
three trees ahead & raises her left front paw.
Dew trembles on each blade of grass
as a snake uncoils among the leaves.
She’s a goddess in a world mastered
by repetition & unearthly cadence,
pacing off light hidden in darkness.
She eases down her right paw,
slow as coming to an answer<br
for Moremi, 1963
Earth will not share the rafter’s envy; dung floors
Break, not the gecko’s slight skin, but its fall
Taste this soil for death and plumb her deep for life
As this yam, wholly earthed, yet a living tuber
To the warmth of waters, earthed as springs
As roots of baobab, as the hearth.
The air will not deny you. Like
Cat! who hast pass’d thy grand climacteric,
How many mice and rats hast in thy days
Destroy’d? How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears – but pr’ythee do not stick
Thy latent talons in me – and upraise
Thy gentle mew – and tell me all thy frays,
Of fish
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur’s Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts
Mark but this flea, and mark in this,
How little that which thou deny’st me is;
It sucked me first, and now sucks thee,
And in this flea, our two bloods mingled be;
Thou knowest that this cannot be said
A sin, nor shame, nor loss of maidenhead.
Yet this enjoys before it woo,
And pampered, swells with one blood
The snails have made a garden of green lace:
broderie anglaise from the cabbages,
chantilly from the choux-fleurs, tiny veils-
I see already that I lift the blind
upon a woman’s wardrobe of the mind.
Such female whimsy floats about me like
a kind of tulle, a flimsy mesh,
while feet in gumboots pace the rectangles-
garden abstracted, geometry awash-
an
Autumn leaves, autumn leaves, lie strewn around he here;
Autumn leaves, autumn leaves, how sad, how cold, how drear!
How like the hopes of childhood’s day,
Thick clust’ring on the bough!
How like those hopes in their decay-
How faded are they now!
Autumn leaves, autumn leaves, lie strewn around me here;
Autumn leaves, autumn leaves, how sad, how cold,
Sheets of tin nailed to posts
driven in the ground
make up the house.
Some rags complete
the intimate landscape.
The sun slanting though cracks
welcomes the owner
After twelve hour of slave
labour.
O BLUSH not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.
There’s a blush for want, and a blush for shan’t,
And a blush for having done it;
There’s a blush for thought, and a blush for nought,
And a blush for just begun it.
O sigh not
FROM off a hill whose concave womb reworded
A plaintful story from a sistering vale,
My spirits to attend this double voice accorded,
And down I laid to list the sad-tuned tale;
Ere long espied a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow’s wind and rain.
Upon her head a platted hive of
I SAW the Connaught Rangers when they were passing by,
On a spring day, a good day, with gold rifts in the sky.
Themselves were marching steadily along the Liffey quay
An’ I see the young proud look of them as if it were to-day!
The bright lads, the right lads, I have them in my mind,
With the green
COME away, come away, death,
And in sad cypres let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it!
My part of death, no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there
Ukraine’s sovereignty
is
a
right
not
a
privilege
trespassers
will
be
O, twice the maple blushes, blushes rosy, rosy red; She blushes in the Spring-time, When aroused from Winter’s sleep, She finds herself all naked And the gaping world apeep, O, then the maple blushes, blushes rosy, rosy red. Once again the maple blushes, blushes rosy, rosy red; She blushes in the Autumn, When she lays her robes aside For the
First, suicide notes should be
(not long) but written
second,
all suicide notes
should be signed
in blood
by hand
and to the point—
that point being, perhaps,
that there is none.
If I met Charley I probably would have smashed him in his over sized snozz
Like a scene ripped from the reels of Barfly yes indeed we would have bar fought
I would have clobbered that big smug ugly b*st*rd with my big chubby ham club
Solely in an effort to sober him up for a moment
Only because he
The iron bird, the bird of steel
who after having lacerated the clouds of morning
would want to puncture the stars
beyond the day,
retreats, as if in remorse,
into an artificial cave.
The corporeal bird, the feathered bird,
who forces a tunnel through the wind
to get to the moon he’s seen in a dream
